Sciences and technologies are changing the way art is enjoyed, redefining some of the concepts on which artists and researchers work, but also influencing the scientific approach.
In order to overcome the dichotomy between science as a research method and art as an aesthetic opportunity, what results did the BioArt Challenge organised by MUSE with the universities involved in the ACDC project achieve? What reflections and perspectives were outlined during the biodesign and biohacking project Like Life?
With Giuseppe Lo Schiavo, visual artist (winner of the ACDC Bioart Challenge), and Lorenzo Facchinelli, member of the artistic collective Mali Weil